Author Archives: OBS

Truth in Content: Codifying Publishing Workflows in the Digital Age

As a member of the Book Industry Study Group (BISG)‘s Workflow Committee, OBS’s Laura Fillmore contributed to the recent White Paper on standardizing publishing workflows: “Fixing the Flux: Challenges and Opportunities in Publishing Workflows.” Where medical doctors have “Grey’s Anatomy” to refer to as a core reference resource for human anatomy, publishing professionals have no one

OBS at Frankfurt Book Fair 2019

OBS is back again at the Frankfurt Book Fair again this October, ready to hit the ground running, exploring, and discovering digital publishing innovations and ideas for our clients and partners. One exciting initiative we are exploring is how blockchain networks can be put to use to update and streamline traditional publishing processes. The combination

A Vanishing World Made Permanent through Publishing

Anne C. Wyman, once the Boston Globe’s first full-time travel writer and long-time editorial page editor, in 2010 asked OBS’s Protean Press to publish her book “Kiping’s Cat: A Memoir of my Father.” Over the years, this publishing project grew into four Wyman books, two of them posthumous publications by Anne’s father himself, Jeffries Wyman.

BEA Retrospective : Bounteous to Unbound

BEA has always been the book industry’s main show of the year in the US, when publishers release their Fall lists to the bookstores and libraries, offering advanced peeks at exciting new books in the form of readings, advance galleys, and author breakfasts. Vendors to the trade used to enjoy a major presence at the

Trade Duty: Publishing What Ought to be Read

Many decision points contribute to a trade editor’s GO/NO GO final opinion. A bestseller will generate revenue to keep the doors open and the firm able to further its mission. A mid-list winner fills an ongoing content need and will keep selling and selling, slow and steady. In these POD days, when the words “out

The Phone, Mightier than the Sword

As things speed up to such an extent that there remains no time any more to muse, ponder, discuss, cogitate, and write things down, the old adage that the pen is mightier than the sword appears to be morphing into “the phone is mightier than the sword.” Witness the recent rise of live streaming as

Foreign Rights: “Sub” Rights No More

Back in the Paleolithic Age of Paper, information moved slowly. Slow like the Glyptodon. Books took nine months to gestate from manuscript to print. For content to reach readers beyond the market of origin, the Sub Rights Director at Publisher #1 (the primary publisher) would sell foreign rights (one of multiple “sub” rights, including serial rights, TV