We are beginning to experiment with two book projects that leverage blockchain technology to track users’ ownership of ebooks. We were attracted to the blockchain because it appears to address issues fundamental to the publishing industry — such as, for example, what it means to “own” a digital object like an ebook — while also moving us →
When a publication gets empowered by blockchain technology, one can truly say that a reader never steps into the same book twice. Blockchain enables internet-published content to emulate life itself — both the perceived (the content), and the perceivers (publishers and readers) — in a recorded environment that captures and publishes a constant state of content →
In 2007, Christopher Hail began to contribute to the scholarly research on the work of Domenico Scarlatti by authoring an erudite, witty, and successful website dedicated to the Italian composer. He contributed to it daily, until his death in 2014. Given the relevance of Hail’s research, his family estate resolved to publish the content of →
How does a reader know that the text in hand or on screen contains true information? Back when I started my publishing career at Little, Brown/Trade Editorial in 1976, many independent publishing houses dotted the landscape of a diverse industry. Readers could trust brands – we knew, for example, that Knopf cookbooks were top of →
This Veterans’ Day, we honor Joe Garland, his service to his country during World War II in the 45th Infantry Division, and his service to his fellow soldiers and readers back home in the publication of his collective memoir: “Unknown Soldiers: Reliving World War II in Europe.” We miss you, Joe!