OBS applauds Macmillan Publishers for actively defending our First Amendment rights in publishing Michael Woolf’s controversial book “Fire and Fury: Inside the Trump White House.” Rather than bowing to White House demands that Macmillan cease and desist from publishing the book, which offers insights into the current administration’s White House, Macmillan subsidiary Henry Holt and Co. pushed →
As we trek along in the Human Machine Interface (HMI) – driving, texting, reading, recording – we inform our electronic environment, enabling it to grow smarter as it records our thought paths and virtual lives. We allow this thinking machine to sort, separate, sequence, map, aggregate, and otherwise contextualize our digital footprints with billions of others’ →
In 2007, Christopher Hail began to contribute to the scholarly research on the work of Domenico Scarlatti by authoring an erudite, witty, and successful website dedicated to the Italian composer. He contributed to it daily, until his death in 2014. Given the relevance of Hail’s research, his family estate resolved to publish the content of →
On February 1, 2017, the World Wide Web Consortium (W3C) officially announced its merger with the International Digital Publishing Forum (IDPF), stating in a press release that “the vision to align Publishing and Web technologies and create a new roadmap for the future of publishing became official today.” A global standards organization that develops Web →
We at OBS saw the XML spider approaching twenty years ago, and talked about it at the Summer Publishing Institute at the University of Virginia in 1997. Today, Enterprise Content Management systems are a multi-billion-dollar industry that’s growing at 15% per year.
Figure: “The XML Spider”: With a database of content tagged in XML, a publisher can code once and use many times, opening up new revenue streams through re-purposing their content. Please note: this is an archival document showing XML-centric workflow that was created by Laura Fillmore in 1997 as part of her presentations at the University of Virginia Summer Publishing Institute. It’s in need of updating!
A major instance of just such an update came recently with the Copyright Clearance Center’s acquisition of Ixxus, a publishing solutions provider. Together, the CCC and Ixxus are creating a revolutionary content management system that enables publishers to create a live hive of inter-operable content, chunked to the least common denominator. This “single source of truth” serves to centralize and standardize the publishing process, from file management to workflows to distribution and beyond. Pedagogical interface (PI), here we come!
The big news to come out of BookExpo America (BEA) in Chicago this month is the early sounds of a merger of the International Digital Publishing Forum (IDPF), managers of the publishing industry’s EPUB standard, and the World Wide Web Consortium (W3C), led by Sir Tim Berners-Lee (inventor of the World Wide Web) and CEO →
How does a reader know that the text in hand or on screen contains true information? Back when I started my publishing career at Little, Brown/Trade Editorial in 1976, many independent publishing houses dotted the landscape of a diverse industry. Readers could trust brands – we knew, for example, that Knopf cookbooks were top of →
On December 21, book traditionalists celebrated an apparent increase in this year’s sales of printed books. But the 2% rise in sales reported by Nielsen BookScan – which constitutes a major success in the foundering book industry – unfortunately has more to do with adult coloring books and ebook price negotiations than it does with →
OBS founder and president Laura Fillmore recently revisited and updated this article she wrote over 20 years ago for The Journal of Electronic Publishing, and she would like to thank Editor Maria Bonn at the University of Illinois for the invitation to do so. The internet has introduced so many radical changes in our publishing →
Cornell University Press, the first university press in the United States, has been honored to receive an $83,635 grant from the National Endowment for the Humanities (NEH) to make many of the classic, out-of-print books in its archive available online for free. This grant is among the first awarded by the Humanities Open Book Program, →